Friday, January 20, 2017

APARTMENT COMPLEX @ THE BARROW GROUP w. the NOW Collective


Self produced and self shaped theatre is very much a living, breathing entity clamoring under rug swept by the glitz and sparkle of Broadway. But its there. You just have to find it. Theatre makers are taking the industry into their own hands, arthritic from self promotion on any and every social media medium, and shaping their fates. I know, I know, easier said then done. And beyond that? Easier said then done WELL.


You know who does it well? The NOW Collective- a new group of graduate apprentices from The Barrow Group. Their mission is to provide a collaborative environment for emerging artists like themselves to get stoked and work on new pieces together. And if their current show, Apartment Complex, is any indicator as to the work we can expect from this group, I anticipate a bright future ahead.

Apartment Complex is a series of shorts by various playwrights and actors within the group about, you guessed it; the trials, tribulations and absolute thrills of living in one of the best cities in the entire world. And what a smart move that was for this fledgling company. Their first big show off the bat was material that invites an audience in, almost as if they too were a part of the ensemble, because as people of New York, we could identify with it ALL.
 
The evening truly got kicked off when actress/playwright Sam Evans found a bedbug on her sweater, which hilariously segued into a performance art piece where the actress, in a garbage bag and rain boots, destroyed everything in her apartment. Evans was absolutely captivating and had the audience convulsing in their laughter. A highlight of the evening for sure.

Next up is Adrian Burke, an extremely talented gentleman we need to be tracking. He had two plays up in the night, one of which Burke himself was in, and not only were they really frigging funny, they were poignant and satiated the audience on a different level. Hallways was particularly brilliant. It was a two man bit satirizing how we grieve and how we are allowed to grieve in our current climate. These points were punctuated perfectly and with care by actors Andrew Dobbie and Morgan Bartholick.

Sean T McGrath’s Dinner Party was also very well received within the audience. Dinner Party took us on an emotional rollercoaster, even in such a brief amount of time, which is super admirable. Kasey Lee Huizinga was heartbreaking in her pursuits of trying to maintain homeostasis in financial insecurity, a feeling we all know far too well.

Catch this show in it’s last weekend at The Barrow Group Studio Theatre over on 36th. In this current political climate, we all need a friggin laugh…and more importantly, support the arts. Don’t allow them to get evicted from their homes.

Review: Brittany Goodwin
Photos: Kyle LeMaire Photography



Sunday, December 4, 2016

A Bronx Tale @ The Longacre Theater



I feel like I have said this in many shows I review, but I honestly did not know what to expect when I sat down in the Longacre Theatre to watch A Bronx Tale. I did not know it was originally a one man show, and a movie, I am late to the party!  It is safe to assume that you are going to watch someone’s tale in the Bronx, Belmont Avenue to be exact.


We follow the story of Calogero. The year is 1960 and we are in a stereotypical Italian “neighborhood.” And what’s a classic neighborhood without some grown men carrying baseball bats and handling some “business”.  The young Calogero, played beautifully by Hudson Loverro, witnesses a murder and the show takes off and doesn’t slow down. Calogero decides he’s not a rat and the neighborhoods leader, Sunny, decides he’s one of the guys. Instantly we have a struggle between Sunny, and Calogero’s father. What kind of man will he become?


Did I forget to mention that this show is actually a musical! It’s hard to believe because the show is filled with so much drama, information, and yet the music doesn’t feel forced at all. Some stand out numbers were, Roll em, where we see how Sunny makes a lot of his money, and meet (for lack of a better world) the rest of the mob. Another song I just can’t get out of my head is “I like it” which gives young Calogero a chance to shine and shows us he’s ok with being one of the guys.


We see Calogero grow into a man. And that’s when things get real difficult. The world is changing and so is the neighborhood.  Calogero, played by Bobby Conte Thornton does a fantastic job moving this show along, and makes the whole audience fall in love with him.  So, it’s obvious he needs a love interest. Enter Jane, a girl from the other side of the neighborhood, Webster Avenue to be exact. Racial tensions rise, fights between the neighborhoods occur, a real Romeo and Juliette vibe.


My only problem with this show was a lot of things we glossed over. I wanted to see more of the love story between Calogero and Jane. I wanted more struggles between Sunny and Lorenzo. I wanted more of Rosina, his mother. I think there might have been too many side plots.


The cast was absolutely amazing. Lorenzo, played by Richard H Blake will absolutely tear your heart out and break it to a million pieces and blow you away with his voice. Lucia Giannetta (Rosina) and Ariana Debose (Jane) both had amazing solos but again, wish I got to see them more! Nick Cordero (Sunny) makes me remember why I will always have a crush on an Italian man. He has such a charm you can’t help but love him and root for him the entire show.

A Bronx Tale has something for everyone. It’s filled with lovely little comedic gems such as a ‘girlfriend test’ and just good ole neighborhood charm that will make anyone reminisce on their youth. This could be… One of the great ones.


Review By: Briana Burnside
Photos By: Joan Marcus

THIS DAY FORWARD @ The Vineyard Theater



The Vineyard Theatre’s newest installation, This Day Forward, is one show that certainly makes you think. Written by Nicky Silver (Pterodactyls, The Lyons) it is not your typical love story; in fact, it is the lack of love that really is the star of this show.


Set in both 1958 and 2004, the story centers around Irene’s (Holley Fain) love life. The play begins in 1958, in a swank hotel (with trimmings that seriously make me consider hiring scenic designer, Allen Moyer, to re-do my place), on Irene and Martin’s (Michael Crane) wedding night.  We immediately are drawn in by Fain’s excellent portrayal of a nervous, fidgety and distressed newlywed.  After skirting around for awhile, she finally admits to Martin that she is not in love with him, but instead, is in love with Emil (Joe Tippett), a loud-mouth, brash, gas station attendant she has been forbidden from dating by her mother.  Martin, in obvious disbelief, begins to question her about the relationship and why she decided to wait until AFTER their wedding to share this information.  Irene explains how the two became acquainted, their subsequent break-up and how Emil was on his way over to pick up Irene after she had seen him earlier that morning.  Emil arrives and the three hash it out in the hotel room. The men decide to fight for the right for Irene.  While they “take it outside,” Irene is given love advice from Melka (June Gable), the polish immigrant hotel maid, who was in a similar situation.  She cautions her from following her heart, as it did not work out in her favor, and urges her to stay with a man who can take care of her and give her the material things she desires.  Martin finally returns and with her mind made up, Irene chooses to forgo Melka’s advice and go with love over material wealth and leaves to meet up with Emil.


The second act begins in a totally redesigned space (and again, Moyer’s design of a chic New York apartment makes me question if I could pull that off in suburbia).  Major kudos to the run crew who successfully took apart an entire stage in the time it took to check my Facebook.  The story begins with Crane, now playing Noah, with his boyfriend, Leo (Andrew Burnap) in a beautiful NYC apartment in 2004.  Leo is stressed out because his estranged mother is coming after being picked up by the police at JFK Airport after seemingly having an Alzheimer’s episode.  We then meet Noah’s sister, Sheila (Francesca Faridany) who explains just how bad it is living with her mother.  When their mother arrives, we realize it is Irene (now played by June Gable), many years later.  We learn that even though we saw her exit to follow her heart to be with Emil in Act I, she still wound up with Martin, lived a miserable life with all of the amenities a 20th-century woman could want.  This misery trickled down into her children, who both have sabotaged relationships, unstable lives and an affinity for feeling like they were generally unwanted.  The play closes with Irene seemingly talking to a ghostly Emil, in which we learn he never met with her that night.  Feeling like he was unable to provide her the life she wanted, he decided it was best to let her stay with Martin.  


It is in the final moments that this play really shines.  Taking on the concept of how failed love shapes people is not something many have done before.  Silver does a phenomenal job of making you think about following your heart without being cheesy.  Personally experiencing this show with someone who has been divorced was an added treat, as for her, it gave her some closure in her decisions.  You can never know what the future holds for you, but this play truly shows you that by playing it safe and not trusting your heart, you may be able to survive, but the life you lead will be riddled with misery, melancholy and general unhappiness that is felt by EVERYONE around you.  This will then affect the choices they make for the rest of their lives, causing this cycle to never end.  

Playing now through Dec. 18th, this is one show you do not want to miss.  Besides the kudos given above, a sincere salute to those cast members that played dual roles. Taking on the challenge of playing two completely different characters and making it believable can be difficult, but the cast makes it appear effortless.  For tickets and information, please visit www.vineyardtheatre.org and be sure to check out the lower lobby for added touches that make the play come alive.


Review By: Renee Demaio
Photos By: Julieta Cervantes 

CrediJulieta Cervantes

Monday, November 21, 2016

Othello: The Remix @ The Westside Theater (Upstairs)


In recent seasons where hip hop seems to be dominating musical theater, The Q Brothers’ Othello: the Remix fits right in. But these brothers are no strangers to infusing the style into their work.  In the past decade and a half, the production group has created several hip hop adaptations of Shakespeare’s most famous works: The Bomb-itty of Errors, Funk it Up About Nothing, Q Gents, and I <3 Juliet have been produced around the country and Off-Broadway. John Leguizamo’s presentation of Othello the Remix brings the Q Brothers back to New York.
The re-imagining presents Othello (Postell Pringle) as a hip hop mogul, about to embark on a cross country tour to promote the new album for pop-rapper Cassio (Jackson Doran). Fellow artist Iago (GQ) feels betrayed to be the “opener for the opener” on the tour, and sets out to get revenge by ruining Cassio’s career and Othello’s new marriage. Though the plot is modernized, Shakepeare’s themes of jealousy and betrayal are still very apparent.
The Q Brothers incorporate a unique style of comedy into their work. Like a sketch group, there are many characters played by the company of four actors. Wigs, shirt fronts, and hats are used to differentiate the characters. Like an improv troupe, the actors break the fourth wall and make out-there jokes that incite heavy laughs. But where they differ: they do all this in the middle of catchy beats and smart rhymes, just like a hip-hop crew. Move over Hamilton, looks like you have some competition.
JQ stands out as the character actor of the production. In 80 minutes, he becomes tennis-obsessed record producer Loco Vito, Rosie Perez-like groupie Bianca, and lovesick Dungeons & Dragons player Roderigo. Doran’s Cassio is an endearing comic relief: the guy you want to laugh at and feel bad for at the same time. GQ’s Iago is earnest and jealous; he’s the puppet master villain who you almost want to see succeed. Pringle carries the show as leading man Othello, and your hearts breaks right along with him.
Equal parts Shakespeare, Hip hop, and sketch comedy doesn’t sound like a formula that should work. Oh but it does. Even the elderly ladies in the front row were raising the roof.
Othello: The Remix performs at the Westside Theater.

Review By: Kelcie Kosberg
Photos By: Carol Rosegg

Thursday, November 17, 2016

A DOG STORY @ The Loft at the Davenport’s Black Box


A Dog Story, music and lyrics by Gayla D. Morgan is a new musical comedy about a career-driven lawyer and his quest to marry a woman in less than a month in order to secure a promotion. The plot left much to be desired and the character development was almost remiss throughout the show until its final moments.

The play was performed in the Loft at the Davenport’s Black Box theatre. The set was clever. Designed by Lauren Mills, it featured large white cabinets on either side of the stage whose cubbies were opened to reveal different signs to signify scene changes and storage for characters to interact with. A Dog Story was choreographed by Shannon Lewis and directed by Justin Baldridge.

Roland (David Perlman) is our career-driven lawyer that is unable to make partner at his firm. From faulty logic, Roland realizes that others have been promoted before him because of their recent marriages. The rest of Perlman’s performance was filled with his attempt to pull more depth out of an otherwise shallow character.

Roland’s best friend, Guy (Brian Ray Norris) is a womanizer that, despite being in his late thirties, acts as if he is scarcely eighteen. His lewd comments and aggressive nature toward women did not come across as endearing--his creepiness did not set well with the audience either. Norris was unable to harness many defining moments.

Guy and Roland make a trip out to the Hamptons where Guy believes Roland will find his wife, but he must “get a dog!” first. Shortly after his endeavor of obtaining his new companion, he is in pursuit of Blair (Stefanie Brown), a beautiful hedge fund manager that Roland believes is perfect for him. Brown was captivating when she was on stage.

Lastly, realizing that Blair will never love him if his dog misbehaves, Roland hires MIranda (Lindsie VanWinkle) to train his new puppy. VanWinkle is faced with a more developed character surrounded by thin ones and she does her best to compensate.

A Dog Story did what it could to win the audience with its imaginary dog and shaky premise. The cast lacked chemistry and some of their interactions came across as awkward. The show itself had some special moments, that, as a dog lover, I did appreciate.

Review By: Alex Lipari
Photos By: Jeremy Daniel