The
French classic by Jules Verne has been warped and transformed many a
time, and yet Mark Brown‘s comedic play takes this well-known story
on a new journey. Advertised as “a fun frolic & fantastic
update of the visionary classic”, the New Theater at 45th
Street offers a production that is packed with astral wonders and
prime laughs.
With
such a performance on stage, one would expect the set to live up to
the world that Jules Verne’s imagination has set us in. Robert
Andrew Kovach’s design brings this Nineteenth Century “around the
world” experience to life. Featuring a panoramic mural spreading
throughout the walls of the theatre and a giant projection screen
shaped as a clock that is used in a most creative manner throughout
the show, Kovach gives the audience just enough to look at without
overwhelming them. With surprising secret compartments and the trick
of pulling an elephant out of thin air, this set is as much a
character as the actors themselves. Kate
Freer’s projection design created magical transitions that left
audience members transfixed, Ben Kato’s accent with lighting was
sublime, and associate costume designer Kae Burke, with director
Rachel Klein doubling as costume designer, gave a new meaning to the
phrase “It’s all in the details,” creating pieces that were
divine.
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