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Our Lady of Kibeho is based on real life events that transpired in 1981 Rwanda when three young school girls, Alphonsine Mumureke (Nneka Okafor), Anathalie Mukamazimpaka (Mandi Masden) and Marie-Claire Mukangango (Joaquina Kalukango), claimed to see the Virgin Mary. These apparitions cause mayhem amongst the community, both socially and spiritually. Some of the clergy, including Sister Evangelique (Starla Benford), Father Tuyishime (Owiso Odera) and Father Flavia (T. Ryder Smith), find themselves searching for answers from the visionaries, as well as from their own personal faith.
Katori Hall’s passion of this story is evident throughout the script and the team working on Our Lady of Kibeho helped to translate that passion to the audience. In tandem with thoughtful direction by Micheal Grief, Hall brings this unique history back to life with an underlying commentary of the need for peace, faith and love. Micheal McElroy’s original music and music direction added just the right amount of emotional enhancements, which were well balanced with the sound design by Matt Tierney. The lighting design by Ben Stanton was creative and the scenic design by Rachel Hauck transported us to 1981 Rwanda with whimsical realism. Credit must also be given to dialect coach Dawn-Elin Fraser, as the central and east African accent was well executed.
The three school girls who the story of Our Lady of Kibeho circles around all equally hold their own weight in their respective roles. Though Nneka Okafor is making her Signature Theatre debut in the role of Alphonsine, she commands the stage as the loveable, meek and oppressed teen. Masden delivers Anathalie to the audience with palpable empathy and Kalukango elicits gasps from the audience in almost every scene.
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Review By: Staci Morin
Photos By: Sara Krulwich
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