If you are a fan of modern dance paired with 20th
Century inspired music and the works of Edgar Allen Poe, you will love Red-Eye
to Harve de Grace.
NYTW Usual Suspect Thaddeus Phillips (¡El Conquistador!) teams up
with the Minneapolis-based musical duo Wilhelm Bros. & Co. to create a
visually striking and sonically complex action-opera about Edgar Allan
Poe's mysterious last days. Set in September of 1849, Red-Eye to Havre de Grace follows
Poe on his last lecture tour from Virginia to New York, focusing on a stop in
Maryland when a train conductor saw Poe wearing a strangers clothes headed
south, where he would die just days later. This new musical, informed by
19th Century train routes, historical accounts and Poe's own writing,
creates a spellbinding sketch of a man you soon realize you know little about.
The ambiance and overall style of the show seems to be an
eclectic blend of theatre of the absurd, minimalism and modern art. The scenic
design and direction by Thaddeus Phillips embraces the imagination of the
audience. With the sets’ simplistic and multi-purposed pieces, everything may
not be what it appears. A door may
become a table; a table may become a staircase. Everything, including the
actors, is perpetually shifting - keeping a sort of chaotic momentum with the
story. The writing keeps a dark Poe-like
theme and incorporates many different works from Poe’s life. However, it lacks the charm of romanticism
and sentimentality that Poe classically partners with his darker musings.
Ean Sheehy gives a spirited performance as Edgar Allen Poe.
His delivery is reminiscent of a young Gene Wilder. Alessandra L. Larson
(Virginia Poe) is ethereal and eerie. Jeremy Wilhelm who performs as multiple
characters is most enjoyable as “the ranger”. He flawlessly presents a dry
humor that keeps the audience chuckling and looking forward to his return.
The highlight of the show goes to Wilhelm Bros.& Co. for
their unique use of instrumentation cocktailed with Phillips direction. This is
most prevalent in the last scene when Poe dies atop a baby grand while everyone
else uses string inside the piano harp to create a resonating dissonance – all
the while appearing as if they are trying to sew Poe together on an operating
table.
Red-Eye to Harve de Grace may not be a show that everyone in
the family will enjoy, but it offers an off-beat theatrical experience that
some are certain to appreciate.
Review By: Paul Morin
Photos By: Sara Krulwich
Review By: Paul Morin
Photos By: Sara Krulwich
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